Sultana Jamal

Basic Isolations

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isolations.jpg
Isolations for a belly dancer are like scales for a musician or the alphabet for a writer: the core vocabulary upon which evrything else is built.
Wrist Circles
Hands rotate at wrist - shoulders should be relaxed and there should be no movement above the elbow. Practice with both wrists to right, both to left, both to outside and both to inside.
 
Elbows
Move the lower arms at the elbow joint. No movement in shoulders or wrists. Practice in circular motion or like windshield wipers. 
 
Shoulder Slides
Use muscles attaching shoulder to spine to push shoulders forward. Imagine that there is a steel bar from one shoulder to another so that one moves back as the other goes forward. Shoulders should stay flat and not round down in front as you go forward. Arms and hands should not move with shoulders. 
 
Head Slides
 First do "chicken head" - sliding the head forward and back (the back part of this is good for neck muscles). Then try to get the same sliding sensation going side to side. It helps to put your thumbs on your shoulders with your fingers extended upward (close to your head)and then try to touch your fingers with your ears
 
Rib Slides
Lift the rib cage up slightly then imagine 2 strings tied to the sternum with someone pulling on the right string, then someone else pulling to the left. Shoulders should stay level - if shoulders go up side to side then imagine it as a tiny arc with the high point at center and dropping just slightly to each side. This should not extend down to the hip - it should involve the muscles in front and back around the lower part of the rib cage. 
 
Hip Lift
 Keep the feet close together. Tighten the oblique muscle on the side at the waist to pull the hip straight up - it should not go out to the side at all. The knee should be relaxed to "follow" the movement - don't use the knee to generate the motion. The foot may be either flat or demi-toe, but the heel should stay in one position and not move up and down. Shoulders should stay in one position - the body should not "bounce" with the hip movement.
 
 
 Hip Drop
Lengthen the oblique muscle on the side at the waist to lower the hip - the knee will bend as the hip lowers, but should not generate the motion. Shoulders should stay level - body should not "bounce" with the hip movement. 
 
Shoulder Circles
One shoulder is up when the other is down, back when the other is forward. Make sure these are round circles, extending the same amount in all four directions. Work toward keeping the hands from following the shoulders - as though they were flat on a table.
 
 
 Horizontal Rib Circle
Extend the rib cage forward (flexing the spine forward) then slide to the side, arch the spine back, then slide to the other side. Make sure to extend the same amount in all four directions to make a round circle. 
 
Hip Circle
Feet should be close together - circle hips with upper body and feet staying in position. There should be no pelvic flex as you make the circle, pelvis should stay locked in one position - it helps to move your weight over your toes, the sides of your feet, your heels, and the other sides. As with all circles, make sure you extend the same amount in all four directions
 
One-hip Circle
Turn the knee inward (you can hurt your knee if you turn it out)then imagine there is a pencil on the side of your hip pointing at the floor and make a circle around your foot. The hip should stay flat. The neutral position is the outside of the circle - so the movement comes inward from that point. Practice in both directions on each hip. 
 
Vertical Rib Circle
Using the muscles in the lower part of the rib cage, lift the rib cage up, then slide to the side, drop down, then slide to the other side. Make sure that you extend the same amount in all four directions to make it a true circle.
 
Vertical Hip Circle
Stand demi toe with the foot under the hip you are working with.  Lift the hip up - push it forward - drop down, then pull back and lift again.  Think of a steam engine.  The hip should not move out and in at all - the movement should only be in a vertical line. 
 
Inside 8
Twist the hips - the push the back hip further back. While the hip is still extended, twist it forward on the side - then move directly back (like one side of an X) across the center. This is like drawing an 8 (sideways) with your hips
 
Outside 8
Twist so that one hip faces forward. Push the hip out to the front, put your weight on the foot under the extended hip and twist around 180 degrees, keeping the hip extended while you turn. Repeat on the other side. 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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